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MASSACHUSETTS NURSE NEWSLETTER ::
June 2007
Summer guide to union/activist themed movies
By Joe Twarog
Associate Director, Labor Education & Training
It is summer and time to relax. The following
is a list of labor-themed and activist
oriented films that have been compiled from
various sources. The list includes popular
big-screen movies—some with light themes
to shorter serious documentaries. Either way,
they are alternately thought-provoking, uplifting,
educational, entertaining, funny,
inspirational and, sometimes, depressing.
Matewan (1987). Directed by John Sayles. The story
of a bitter clash between a union and coal company in West Virginia
in the 1920s as well as a clash of two different economic systems—capitalism
and feudalism. It is a drama about the coal miners’ strike in 1920
with Chris Cooper playing the fictional United Mine Worker’s organizer
Joe Kenehan, and Will Oldham playing a fictional narrator/ miner
Danny Radnor, and James Earl Jones playing black miner Few Clothes
Johnson. The film shows the world of the miners in West Virginia,
especially the cooperation between blacks and whites despite the
coal company’s attempts to create racial divides. The characters
of Sid Hatfield, Cabell Testerman, C. E. Lively and Few Clothes
Johnson were based on real people.
9 to 5 (1980). Directed by Colin Higgins. This
is a comedy with a serious underlying message revolving around office
politics, male chauvinism, and sexism. It stars Jane Fonda, Lily
Tomlin, Dolly Parton, Dabney Coleman, Elizabeth Wilson, Sterling
Hayden. Three female office workers combine forces to kidnap their
incompetent, deceitful, egotistical, and chauvinistic boss and raise
office efficiency to an alltime high during his absence.
Norma Rae (1979). Directed by Martin Ritt. With
Sally Field, Ron Leibman, Beau Bridges, Pat Hingle, Barbara Baxley.
Norma Rae, a textile worker in a small Southern town, works with
a labor organizer to establish a union and change the intolerable
working conditions at the plant. It is based on the real-life story
of textile union activist Crystal Lee Sutton in her fight against
the J.P. Stevens Co. in Roanoke Rapids, N.C., which resulted in
a labor contract between Stevens and the Amalgamated Clothing and
Textile Workers Union. Sally Field won an Oscar for best actress
for her role as Norma Rae.
Salt of the Earth (1954). This film was written
(Michael Wilson), directed (Herbert J. Biberman) and produced (Paul
Jarrico) by members of the original “Hollywood Ten,” who were blacklisted
during the height of McCarthyism hysteria. The film was denounced
by the U.S. House of Representatives and the American Legion called
for a boycott of the film because it was allegedly too pro-labor
and subversive. It is a semidocumentary of the year-long struggle
by Mexican-American zinc miners (Empire Zinc Mine) in New Mexico.
The film deals with the prejudice against the Mexican-American workers,
who struck to attain wage parity with Anglo workers in other mines
and to be treated with dignity by the bosses. When an injunction
is issued against the striking workers, the wives take up the battle.
The film is an early treatment of feminism, because the wives of
the miners play a pivotal role in the strike. The cast includes
only five professional actors with the rest made up of locals from
the area and members of the International Union of Mine, Mill and
Smelter Workers, Local 890 (many of whom were part of the actual
strike that inspired the story). A must see!
North Country (2005). Directed by Miki Caro and
written by Linda Miklowitz. This is a semi-fictionalized account
of the long legal battle of a group of women miners who endured
a hostile work environment and continuous insults and unwanted touching
when they became the first women to go work at the Eveleth Mines
in Minnesota. They successfully broke the gender barrier working
in the Minnesota iron mines and broke legal ground with the nation’s
first class action sexual harassment lawsuit. Charlize Theron won
an Academy Award nomination for her role in the film.
Silkwood (1983). Directed by Mike Nichols and written
by Nora Ephron and Alice Arlen. Starring Cher and Meryl Streep.
This film is based on the real life story of Karen Silkwood, a union
metallurgy worker who fought for safety in her plutonium processing
plant, the Kerr-McGee plant in Oklahoma. (Robert J. Kerr, one of
Kerr-McGee’s founders was a governor and U.S. senator from Oklahoma.)
Silkwood joined the Oil, Chemical and Atomic Workers Union (OCAW)
and testified before the Atomic Energy Commission about the shoddy
safety practices and the company falsified inspection records. Silkwood
died under suspicious circumstances in an automobile crash while
en route to meet with an AEC official and a New York Times
investigative reporter to share her findings.
The Willmar 8 (1982). Produced by Lee Grant and
Mary Beth Yarrow. Directed by Lee Grant. A documentary about eight
women who went on strike because of employment discrimination at
a bank in Willmar, Minn. Eight unassuming, apolitical women were
driven by sex discrimination at work to take the most unexpected
step of their lives and found themselves in the forefront of the
struggle for women’s rights.The women not only were passed over
for managerial positions, they were required to train the all-male
managerial staff who would become their supervisors. The National
Labor Relations Board eventually ruled in favor of the bank. As
a consequence, the women lost their jobs, as well as their demands
for equality and they were not gainfully employed after the strike.
The movie is especially relevant given the May 2007 Supreme Court
ruling severely limiting lawsuits on pay disparity and sex discrimination
in the workplace.
With Babies and Banners: Story of the Women’s Emergency
Brigade (1978). Women’s Labor History Film Project. Produced
by Lyn Goldfarb, directed by Lorraine Gray. The story of the Women’s
Emergency Brigade which was formed during the United Auto Workers’
1937 sit-down strike in the General Motors Flint, Mich., plants.
The Women’s Emergency Brigade was composed of female GM workers
and the wives of men involved in the strike. The brigade became
the backbone of the strike and not only provided support services
(like running the union kitchens that provided food to the strikers
occupying the plants) but did picket duty themselves. They ultimately
won recognition of their union and improved wages and conditions.
At the River I Stand (1993). Directed by David
Appleby, Allison Graham and Steven Ross. This documentary recounts
the two eventful months that transformed a local labor dispute of
1,300 Memphis AFSCME sanitation workers into a national Civil Rights
campaign. It also relates the events that led to the tragedy of
Dr. Martin Luther King, Jr.’s assassination. This documentary brings
into sharp relief issues such as the connection between economic
and civil rights, the debate over violent vs. nonviolent change,
and the demand for full inclusion of African Americans in American
life.
Life and Times of Rosie the Riveter (1987). Five
women reminisce about their jobs and working conditions during World
War II. Includes topics of sex discrimination, the women’s movement,
and the role of movies and radio in helping mold public opinion
during World War II. This is an excellent documentary on the American
home front during the Second World War. Women were strongly encouraged
to join the factory workforce to replace the m en who went to fight
the war. This film offers a rare glimpse of World War II from the
female perspective, and is a vital document of American history.
Maid in America (2004). Produced and directed by
Anayansi Prado. An intimate look into the lives of three Latina
immigrants working as nannies and housekeepers in Los Angeles. The
issue of worker’s rights is introduced in the film through Dynamic
Workers, a collective of women who have formed their own business
to provide job security and benefits, and Domestic Workers Association,
a support organization providing information and advocacy. The film
offers insights into the immigrant experience, labor issues and
contemporary Latina culture.
Miles of Smiles: Years of Struggle (1982). A documentary
on the formation of the first African-American trade union, the
Brotherhood of Sleeping Car Porters, and its key leader, A. Philip
Randolph. It includes personal narratives of retired porters about
their work and duties on the Pullman trains and about the formation
of their union, and their struggles that helped pave the way for
the Civil Rights movement. It also reveals the harsh discrimination
that impacted the porters every day lives.
Poletown Lives! (1982). Produced and directed by
George Corsetti. This documentary tells the story of the destruction
of Poletown, an inner-city Detroit neighborhood. Poletown was destroyed
in 1981 when the city used its power of eminent domain to provide
tax-free land to General Motors for construction of a Cadillac plant.
A total of 1,500 homes, 16 churches, 144 businesses and two schools
are now a parking lot and landscape for the Cadillac plant. The
film is from the residents’ point of view in their own words. It
illustrates the change in attitudes as the people realized that
the institutions they trusted most—the courts, the United Auto Workers,
the Archdiocese, the City Council, and the media—were not going
to help them. The film focuses on the human cost of corporate power
to control investment of capital and to transport that capital at
will.
Roger & Me (1989). Directed by Michael Moore. A
documentary about the closure of the General Motors’ plant in Flint,
Mich., which resulted in the loss of 30,000 jobs. It details the
attempts of filmmaker Michael Moore to get an interview with Roger
Smith, the CEO at GM. Moore emerged as a modern folk hero because
he doggedly and hilariously pursued what every working person wants
to do—talk to the man at the top. Moore’s efforts to meet Smith
and to get Smith to visit Flint provide the framework for the film.
American Dream (1989) Barbara Kopple’s documentary
follows a contentious 1987 meatpackers’ strike at a Hormel plant
in Austin, Minn. Hormel had cut the average hourly wage from $10.69
to $8.25 after posting a net profit of $30 million. In addition
other benefits would be cut by about 30 percent. The local union
(P-9) opposed the cut, but the United Food and Commercial Workers
Union did not support them. The local union rejects the guidance
of their national parent and takes on the process themselves, hiring
strike consultant Ray Rogers to help them. The film features footage
of union meetings, news broadcasts and in-depth interviews.
Other recommended films:
Erin Brockovich (2000); A Civil Action
(1998); An Inconvenient Truth (2006); Union
Maids (1976); Harlan County USA (1976);
The Fight in the Fields: Cesar Chavez and the Farmworkers’
Struggle (1997); Harvest of Shame (1960);
The Masses and the Millionaires: The Homestead Strike
(1974); A Union Man: The Life and Work of Julius Margolin
(2006); Bread & Roses (2000); Rebuilding
San Francisco 1906-1910: The Workers Story (2006)
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